Death of Salesman RSC

“Tim Mitchell’s excellent lighting helps shift the scene from the present to the past, focusing on each section of the stage as necessary”.

“Willy’s jagged excursions into the past and is reinforced by Tim Mitchell’s lighting which gives the set a sudden transparency as we go inside Willy’s head”.

“Tim Mitchell’s lighting and Paul Englishby’s superb, jazzy and lyrical music come as close to those details, without cravenly reproducing them, as in any production I’ve seen”.  

“Set and Lighting designer Tim Mitchell deploy trapdoors and gentle magnolia washes to transport us to assorted inhabitants between-lives streams”

“The lighting by Tim Mitchell reinforced a film noir feel to proceedings”

“Doran’s direction is very true to Miller’s words, though it is very often difficult to differentiate between what is present and what is a flashback. Though there are lighting changes (the play is lit very well by Tim Mitchell)”